Scotty Alan Photography

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Lomography Cine 400 :: You be the judge…

In the summer of 2017 I took a photography class called Toy and Vintage Cameras. At the end of the class I received a variety of films to shoot. One film in particular that I was excited to expose was Lomo Cine 400 film. Lomography only produced 4,000 rolls of this film so to find it now it might be difficult. I honestly don’t feel like rambling on any further so here are some of the results. I will say if I ever do get a chance to shoot this film again I would like to shoot it with more light and maybe overexpose it by 1 stop. Leave a comments below and let me know what you think.






AgfaPhoto Vista Plus 400 Film

So a buddy of mine, @vladiballs89, talked me into trying out some film that I had never shot. I loaded a roll of Vista Plus 400 into the Nikon RF2 and shot a test roll. I was surprised, yet pleased, with some of the colors I got. The first few pictures were made at the Fort Worth Stockyards one Sunday morning. A few weeks later I decided to try and shoot some fall color at a park near my house. I really like the saturation of this inexpensive film. While this roll of film was shot with an inexpensive point and shoot camera, I would like to shoot a roll in a more controlled environment, like a portrait session with the Canon Elan 7e. Next time I shoot this I will also overexpose the film by a stop to see what kind of results that produces. Below are the results from my first outing with this film…

(film was developed at Lone Star Darkroom and scanned by myself on a Canon Canoscan 9000 F Mark II. All images are straight from scans with no post processing in post production except to remove dust spots)









Several months ago I was in Half Price Books and came across a book about the musician Beck. Since the mid 1990s he’s been one of my favorite artists. I bought the book and thumbed through it briefly until recently. 

The book is made up of lots and lots of pictures from his shows, behind the scenes, and random pictures while on tour and in the studio. Part of the book is conversations with his photographer, Autumn De Wilde. I found the book to be very interesting and I believe is a must get if you’re into photography, music, or both. This has become one of my favorite photos books. 
(Excuse my poor images as the photos of the book were taken with my cell phone)

One thing I found most interesting and awesome was that all images in the book were shot on 35mm, 120 film, or instant film. 

Street Portraits with Alex, Clint, & Vlad: 01.02.17

On Friday December 2nd 2017 I met up with 3 fellow photographers at Cold Beer Company in the Deep Ellum district of Dallas, Texas for a cold brew, a bite to eat, and some good company. Once the sun dropped, after a bite to eat, and some good conversation, The Photastic 4 hit the streets to document the night.

While I am still experimenting with my set up, Friday night was the first time I shot on the streets at night doing street portraits. Instead of shooting with the flash off camera triggered by the wireless newer trigger and receiver, I had the flash mounted on the speed grip off to camera right a bit. I also had a diffuser mounted on the flash to soften the light. Below is what was used and some of the shots:

Gear used:

  • Bronica ETRS
  • 75mm F2.8 Zenzanon lens
  • Vivitar 285hv flash
  • Fomapan 400 film shot box speed






Follow my buddies on Instagram:

My all time most favoritest camera…

The Bronica ETRS. 

This was my dads. 

He shot many weddings with it. 

He gave it to me when I graduated photography school in 2001. 

Street Photography with Fomapan 400

This was my first attempt at shooting with Fomapan 400. I really like the results. It seems as though it gives a more “gritty” look than what I am normally used to. I am not sure if it was just this roll, but after the film dried it had a lot of curl to it. The portraits were shot using off camera flash except the portrait of the couple which was just available light. The pictures of the murals were shot by using the sunny 16 rule as the camera has no meter in it.

Gear used:

  • Bronica ETRS
  • Vivitar 285hv flash
  • Zenzanon 150mm F3.5 lens
  • Zenzanon 75mm F2.8 lens
  • Fomapan 400 film








Street Portraits: 11.26.17

I went back to Deep Ellum in Dallas to do some more street portraits. Today, I took a little different approach. First, instead of pushing the Fuji Acros 100 film to 400, I shot it at 100. Also, instead of shooting with a bare bulb flash I used a small diffuser to spread out and soften the light a little. I did have some problems with the flash firing at times. I think it had to do with the transmitter and/or receiver. Eventually, somehow, it worked itself  after I rearranged how the cords were attached on the camera. Here are some of the results that I got.

Gear used:

  • Bronica ETRS
  • Zenzanon 75mm F2.8 lens (50mm full frame / 35mm equivalent)
  • Vivitar 285hv flash
  • Aurora light bank
  • Neewer transmitter / receiver
  • Fuji Acros 100 film




Street Photography: Street Portraits

Several years ago, somehow, I came across a particular YouTube channel hosted by Eric Kim. He was always talking about street photography. It captivated me. I watched as many of his videos as possible. Through Eric I learned about many other photographers who did street photography. Eric taught many different aspects about the genre. He taught about zone / scale focusing, He talked about many different techniques used to capture images of people on the street. Eric talked about using flash. He also talked about how small cameras were “best” for the genre, as smaller cameras seem less “in your face” as one is generally trying to get candid shots of people on the street.


(Image above was a test shot taken of a photographer that was shooting with me today)

I’ve tried do this type of photography several times before, but with little success. I do like making portraits as that’s what I’ve been commissioned to do for many years now. Now I consider myself a people person as I love photographing people. I love meeting new people, I enjoy people watching out in public, but walking up to strangers and taking a photo of them has just been way out of my comfort zone. Today, November 24, 2017 I decided to give it another shot. I decided I was going to make street portraits. I decided I was going to walk up to strangers and ask permission to make a portrait of them. While this is still somewhat out of my comfort zone as well, I remembered something that Eric taught in several of his videos. He has a challenge where he challenges photographers to go out there and ask strangers permission to make their portrait. But the catch is… you have to try to get 10 people to say no. Well, today I was getting “yes” after “yes” after “yes.” At the end of the day I ended up with only 3 people saying no, which gave me a failure rate of only 15%. Or, if you’re a glass half full type of person, I got a success rate of 75%. Today I met several wonder people as well as a possible future client as one of the guys is in a band who is needing photography. Today was a success and I will definitely be making more street portraits in the future.

Gear used:

  • Bronica ETRS
  • Zenzanon 150mm F3.5 lens
  • Vivitar 285hv flash
  • Neweer wireless flash trigger and receiver
  • Fuji Neopan Acros 100 pushed to 400







Perception is reality, or maybe it’s not! 

I grew up loving Michael Jordan, Magic Johnson, Michael Jackon, Prince, Bo Jackson, Emmitt Smith, and Pudge Rodriguez… 
Later, once I got into photography, I grew to love Ansel Adams, Richard Avedon, Irving Penn, Elliot Erwitt, and many others… 

What do all of these people have in common? They were some of the best at what they did. They were some of the best of the best. They were pros pros. They were the professionals professional. Regardless if they knew it, they wouldn’t say it. 

Please, for the love of art, business, and for the love of humanity,  don’t  say you’re the best at something. If you are, just be it. Your actions will define you, not your words! 

And if you say you are the best at something you better damn well be. 

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